My current Facebook ad, running globally, featuring song “All Over Town” from THIS TIME.
Facebook Ad (10/17/26)
My current Facebook ad, running globally, featuring song “All Over Town” from THIS TIME.

Slate Digital has added sonible’s AI-assisted mixing and mastering plugins to its Complete Access subscription, effective October 15, 2026. The plugins are included at no additional cost, and subscription pricing is unchanged (press release).
sonible’s tools analyze incoming audio and apply source-specific processing as an adjustable starting point. They join existing Complete Access tools from Slate Digital, Solid State Logic and Harrison Audio, and are available to current and new subscribers through the Complete Access Hub (ProSoundWeb).
Perpetual licenses remain available from sonible. Slate Digital also released a free 16-plugin Complete Access collection the same week, including tools from SSL, Harrison and sonible.

The organization of any project is essential, and it’s especially important for the file management of a music recording session using a modern DAW (digital audio workstation). Here are some thoughts and examples from my current organization philosophy, which is modified and personalized from the technical guidelines at The Recording Academy’s P&E Wing.
I have a general, top-level folder structure already in place, and then use a Windows batch file (or shell script on Mac) to auto-create the bulk of the project-specific folder hierarchy I want, and then create the DAW session within the appropriate folder.
File and folder naming conventions are the key principle in maintaining clarity, consistency, and portability across recording sessions. The guidance for allowable characters for file naming is to use only ASCII letters, digits, underscores, and hyphens—and nothing else. No spaces, special characters or other punctuation. This is intended to support long-term archival readability, accurate searching and tracking across distribution systems, and overall file safety, compatibility, and standardization.
Nice to see on-chain marketplace OpenSea showcasing music NFTs with animated graphics… this is “Love Comes Down,” one of my 1-of-1 music NFTs on Ethereum:
This week I launched MShupp Agent $mshuppx on the Zora agent network—a social graph connecting humans and autonomous agents. The agent is monetized on Base Chain as an ERC-20 token with a supply of 1B (CA: 0xcEF1…B695), and posts on Twitter/X as MShupp Agent @mshuppx.

Contract: 0xcEF1…B695 ![]()
Symbol: $mshuppx
Blockchain:
Base
Block Number: 47597538
Decimals: 18
Supply: 1B

Support me on Bond (joinbond.xyz), a new model and platform to support creators directly. It’s not a subscription, and there’s no lock-in — you can bond once and withdraw anytime. Over the past few years, I’ve been exploring new ways to connect music, tech, and direct listener support. This is a simple way to stand behind my future releases and projects.